Can i get a producer

It's true a producer can seriously enhance your songs and they can also seriously harm them. However no one recommends you rely on production to save a poor song. As Graham Gouldman remarked, 'you can't hum a production'. It's the song - the melody , the chorus , the hook - that will grab the listeners and stay in their head, production should enhance this but can't replace it.

Producers are freelance and can have their own agents who negotiate fees and deals with record companies. Producers command large fees and are usually hired by the record company to work with an artist.

No one recommends you rely on production to save a poor song. But producers will work with unsigned artists if they think they are going to be successful later on. In this case the producer will take no fee or a reduced fee in return for payment when they get a record deal or a publishing deal. There are also those who are just starting out in production who are looking for bands or artists to work with.

You may be able to spot a rising talent yourself and both benefit each other. The other option is to produce yourself and look for an engineer to do all the technical stuff. Are you building up your fan base on YouTube? Selling this CD or EP at live gigs? Of course, you could be doing all of these, but one or two will be more important than the rest.

Think about that audience and what appeals to them right now. Make a list of artists or bands that are successful in those markets.

You need reference tracks for many different reasons. It can be even worse with music. A few reference tracks can show a producer what you mean by an uptempo, galloping rhythm, a distant landscape-y pad, or an edgy, contemporary vocal.

Make a playlist of reference tracks. Put your reference tracks together in iTunes or on a flash drive or CD so you can easily play and replay these songs. Then, refer to them often. Where to find contemporary reference tracks. He or she may suggest bringing in outside musicians to handle some of the parts.

Stretches your budget: A producer should work with you to make sure your project stays on budget. They work out of their home studio much of the time and may create the entire track there. If you feel the track needs a live drummer instead of programming, be sure to discuss it.

Supports your goals: The producer has to get the best possible performance from you and the musicians. Make posts in these types of online communities introducing yourself and saying that you are looking for a music producer to work with. Method 3. Listen to work the producer has done to decide if they match your style. Listen to instrumentals as well as any fully-produced tracks that a producer you are interested in working with has made.

This will help you determine whether you think they are right for the type of music that you want to make. You can also find published music of theirs on a platform like Spotify. For instance, if you want to record rap songs, you might be better off finding a producer who has made types of beats similar to your style, rather than a producer who produces electronic music.

Keep in mind that some producers can handle many different styles of music, so this is just one factor to consider. Call the producer up or meet them in person to conduct a casual interview. Ask about the studio they work in, the equipment they use, any special capabilities or limitations they have, and anything else relevant to the type of music you want to record. Ask if they have any instruments there to use or have contacts who can come play instruments for recording.

Many producers can make world-class music with very limited equipment. There are also work-arounds for certain things like getting live drums or other parts of a track recorded elsewhere and sent over. Choose a producer that is located nearby if you want to record a lot with them. The location of a producer matters most if you plan on building a lasting relationship with them or if you have a limited budget. You can buy beats and instrumentals from producers located anywhere in the world.

Include your email address to get a message when this question is answered. Submit a Tip All tip submissions are carefully reviewed before being published. Related wikiHows How to. How to. More References 3. About This Article. Co-authored by:. Online marketing and networking can increase your chances of getting noticed and recognized as a producer. Music and video site uploads, posts on fan or industry blogs, profiles on social media and business networking sites will establish your online presence, increase your exposure and drive traffic to your website.

You can build a network of fans, colleagues and business contacts by using "friend" or "contact" features where applicable, responding to comments and posting regularly. Email is a valuable communication tool as long as you ensure that emails to industry contacts are personalized. Always ask permission before placing contacts on a mass email list. Offline marketing and networking is more expensive and time consuming than online efforts, but personal relationships are still valued by many and should not be ignored.

When you attend or participate in film and music festivals, contests, trade shows, performances and related events, you show your support, involvement and commitment to other producers, artists and industry professionals. Take plenty of business cards to exchange with others. Keep a supply of discs and support material handy to pass out to those with immediate interest, then follow up with a friendly email or phone call a day or two later.