Who is july bandcamp

Names for Sounds. Sean Agnew. Brennan Fowler. Gazer Tapes. Steve Mahoney. Tom Barnes. Steve Swanson. Tyler Mincey. Fabio Viola. Andreas Weinsheimer. Jorge Peneda. Lucas Nadalini. Patrick Osterday. Evangelos Evangelinos.

Tom De Ridder. Glyn Morton. Colin Schiffer. David Lovell. High Noon Saloon. The Queen's Hall. Vicar Street. Manchester Cathedral. St George's Church. St John-at-Hackney Church. Trinity Centre. Festaal Kreuzberg. Teatro Duse. Les Docks. Marquis Theater. Henry Miller Memorial Library. The Chapel. Wonder Ballroom. Uncertainty bests us every time. Clubs are trying, and often failing, to reopen; the weather is getting weirder by the day; and the world refuses to be comfortingly boring.

Her sets expertly weave Detroit ghettotech; Chicago juke; UK rave and jungle; and other indefinable sounds into one brilliant voyage. Twenty-two-year-old producer D. Richardson , aka twofold, is fast becoming one of the most important names to watch in any kind of dance music. Their sound, deeply rooted in ballroom house and Baltimore club, is pure, fierce joy. Reveling in distortion but sonically sophisticated, slamming but rhythmically rich, each of these four grooves feels like it could go on forever.

Truly glorious. Dark times call for dark sounds, and this mean and moody, slow and low Russian electronic body music is cathartic as hell. This truly is some wonderfully weird and woozy Brooklyn Balearic. SAXRED GIN was recorded in an artistically militant fashion, with MC Obijuan and producer Philanthrope from the Netherlands-based Chillhop clique laying down tracks in a raw and uncompromising manner, meant to convey the sense of acute frustration they were feeling at the time.

Her response? After the svelte, scene-setting, tropicalia-infused title track, Vanderslice serves up a series of forceful beats that combine boom-bap heft with smartly-chopped loops that swing between menacingly aggressive and sweetly melodic. No matching results.